Saturday, May 18, 2013
Thursday, May 16, 2013
You try every trick in the book to keep her. You write her letters. You drive her to work. You quote Neruda. You stop drinking. You stop smoking. You claim you’re a sex addict and start attending meetings. You blame your father. You blame your mother. You blame the patriarchy. You find a therapist. You give her the passwords to all your e-mail accounts. You. You claim that you were sick, you claim that you were weak—and every hour like clockwork you say that you’re so so sorry. You try it all, but one day she will simply sit up in bed and say, No more, and, Ya, and you will have to move from the Harlem apartment that you two have shared. You consider not going. You consider a squat protest. In fact, you say won’t go. But in the end you do. Junot Díaz, “This is How You Lose Her” (via et—cetera)
Never cut a tree down in the wintertime. Never make a negative decision in the low time. Never make your most important decisions when you are in your worst moods. Wait. Be patient. The storm will pass. The spring will come. Robert H. Schuller (via larmoyante)
Tuesday, May 14, 2013 Friday, May 10, 2013
Most of the writers I know are weird hybrids. There’s a strong streak of egomania coupled with extreme shyness. Writing’s kind of like exhibitionism in private. And there’s also a strange loneliness, and a desire to have some kind of conversation with people, but not a real great ability to do it in person. David Foster Wallace (via beautyisanillusion)

looking at you it occurred to me
I could sit around all day
wearing nothing but your kiss

you make mirrors
want to grind themselves
back down into sand
because they can’t do your reflection justice

and this just in
I am done with those
who in life would have made me fight
an army of imperfections
a battalion of flaws
tonight we’re going to keep this city up
when they hear our bodies
slap together like applaus

Skin 2 by Shane Koyczan (via sotla)
Wednesday, May 8, 2013

bemybabylon:

You can not be abandoned, you can only be released. 

Sunday, May 5, 2013

Grief vs. Joy, Rage vs. Hope

andrewgibby:

(For Emily Wonderboy Saavedra,

my tour manager/buddy/partner in poetry for the last two years,

in celebration of our final weekend of shows together.)

The fact that you are the most positive,

hopeful, joyful person in the entire world

makes the fact that we get along a goddamn miracle.

Two years into our friendship

I still ask you about being happy

in the same way my high school friends 

still ask me about being gay,

“So what do you do exactly?

I mean, how do you do”it”?

And by “it” I mean smile,

all the fucking time,

like your mouth is a glory garden

and your teeth are the tulips

you grew for the “Say Yes To Sunshine Festival.”

Were you born this way?

Or did your mother raise you to be a fairy?

A literal fairy, with the magic

and the dust that sparkles.

I was in the worst fucking mood

shipwrecking around the clashing waves of feminism

the day you called me, voice singing like a chickadee on a sunflower

to tell me you bought velvet shoes.

Who buys velvet shoes?

I have 16 handmade postman delivered

postcards on my refrigerator from you

and we live in the same town.

The only time I ever turn my frown upside down

is when I’m standing on my head in yoga class,

and I only go to yoga class

to infiltrate Om time with the question:

“I wonder if visualizing world peace

is just an excuse to sit on my ass?”

I swear to God if I see one more “Free Tibet” sticker on an SUV

my head is gonna explode into peace flag confetti.

But you aren’t even paying attention to the cars

with the bumper stickers that say,

“If you’re not outraged you’re not paying attention!”

Instead you’re meandering around on your bicycle

in a snowstorm

praising the ice on the streets for being so shiny.

I don’t even think you have a heart beat.

I think you have a heart kiss.

If think if you listened to it with a stethoscope it would sound like:

kiss kiss…….kiss kiss…….kiss kiss………

I’m serious.

You make Mary Oliver look like Quentin Tarantino.

I’d give anything for film footage of you

in your suspenders and mohawk

handing out love letters to strangers.

Or you walking downtown with your 20 pound typewriter

to type love poems for the lonely.

Nobody ever believes me

when I try to describe your hand-puppet theater

or your ukulele singing

or the ferris-wheel spinning of your parking lot dance,

not to mention all the videos you post on YouTube

of you bending gender into a bowtie with a tutu.

I walk through the airport 

my conscience in a constant fistfight with my own use of jet fuel.

On the plane I go off about the wars fought

for the minerals that make our cell phones,

while you compliment the flight attendant

on her pretty teal scarf.  She blushes

like all the world’s blood spill has just left the battle

to bloom a rose garden in her face.

How do you talk so kindly to everyone?

Including the manager at the front desk of the hotel

when we found that 2nd poisonous mousetrap beneath the bed?

How did you not scream when homophobes

keyed our rental car in Florida?

I burst a blood vessel in my eyeball that day.

As I’m writing this it still looks like Rudolf’s nose

while you’re somewhere elfin around in a velvet suit

probably carving wooden toys for children

I’m tearing up my throat trying to tell the world

how Santa mines his coal.

I have always believed in thunder,

in the loud truth that shakes the fruit from the trees

while you have always believed in blowing kisses to the seeds.

I’d say I’ll forever be inclined to argue

for the fire of sacred rage,

but you’ve taught me

there is probably little chance for revolution

if we are all doing things the same,

if we’re all reading the same books,

underlining the same words

in the same lines

on the same page.

Unless of course, we’re reading Mary Oliver,

who said, “Imagine grief as the out breath of beauty

or the gesture of fish.

Swim for the other side.  Wage peace….

Learn the word thank you in three languages.”

Emily, thank you

from the top of my roaring lungs

to the tippy toes of your fairy feet.

I honestly believe in magic when I’m around you.

I believe in the heart kiss and in the heart beat

and in all the ways we stand up for love

that swinging chandelier in the shack-castle chest,

in all the ways we sing the word YES

into this dark dark dark infuriating

yet lovely world.